Pluto and Proserpina Sculpture
Item No: FOUN-050
Size: As requested
Material: marble
Color: Same as Picture
Usage: suitable for home decoration, or placed in shop mall, office, or gift for friends and so on.
Pluto and Proserpina Sculpture
This is the pluto and proserpina sculpture. Proserpina is the goddess of the underworld in Roman mythology and the wife of Pluto, the king of the underworld. According to legend, she was kidnapped to the underworld and became the queen of the underworld.
The sculpture of the Hades and Prosepna is not only a work of art, but also a vivid interpretation of ancient mythological stories and a profound reflection on human destiny. It showcases the emotions and wisdom of ancient myths through artistic forms, inspiring people to be strong and brave in the face of life’s difficulties, and constantly pursue freedom and happiness.
The Myth of Prosepna
According to traditional fairy tales, Proserpina was abducted by Pluto while picking flowers. Her mother was Ceres, the god of harvest and fertility. When Proserpina disappeared, she was distraught and looked for her daughter everywhere.
Finally, Daenerys learned that her daughter had been abducted to the underworld, and she begged Pluto to return Proserpina to the world. Pluto agreed to Danelis’s request, but Proserpina has eaten the pomegranate seeds of the underworld, so she must return to the underworld and become a member of the afterlife at some time every year.
The expressive form of sculpture
This sculpture vividly depicts the scene of Proseplona being kidnapped by the Hades. Prosepna’s body was held in the arms of the Hades, and her expression was filled with fear and despair, revealing her forced struggle against her own fate. The image of the Hades showcases his power and coldness, in stark contrast to Proseplona’s softness.
For you kind to know:
- The freight cost depend on the package size and weight of the statue. Please contact us confirm the freight cost before place an order.
- We are statue factory, customization is welcome.
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